At the core of the movie is Mildred’s conflict with Ebbing’s Chief of Police. “The story is a war between two people who are both to some degree in the right,” McDonagh notes, “and that’s where so much of the tension and drama arises.” Those tensions become the exploration for what happens when rage can’t be calmed. As the tension mounts, the film delves into themes of division, anger and moral reckoning.
McDormand made the force of Mildred’s grief central to her performance. “Mildred is really not a hero,” McDormand points out. “She’s a much more complicated person than that. She’s been left by grief in a no man’s land, in a place of no return. One of the things I latched onto as I was thinking about Mildred is that there is no word in most languages for the position she is in. If you lose a husband, you’re a widow; if you lose a parent, you’re an orphan. But there is no word for a parent who has lost a child because it’s just not supposed to happen biologically. It’s something beyond the capacity of language – and that’s where Mildred has been left, so she goes for broke.”
A 20th Century Fox film, “Three Billboards Outside Ebbing, Missouri” is now showing in the following cinemas: Century City, Commerce, Eastwood, Festival Mall, Fisher Mall, For a, Gateway,
Shangri-La Mall, Vista Bataan, Vista Daang Hari, Vista Las Piñas, Vista Pampanga and Vista Sta. Rosa.
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