Under the direction of acclaimed filmmaker David Fincher, known for his thrilling works in “Fight Club,” “Sev7n,” “The Social Network,” “Zodiac” and “Panic Room,” Pike gives the audience an unforgettable portrayal of Amy Dunne, a woman gone missing on the morning of their fifth year wedding anniversary. Playing opposite Ben Affleck as Nick Dunne, the better half and the prime suspect of Amy’s disappearance – “Gone Girl” opens up a vault of ugly truths on a marriage gone really bad.
Indeed, Amy never developed a single persona. She grew up in the long shadow of her psychologist parents’ popular children’s books about her alter-ego: the impossibly perfect “Amazing Amy.” Later, she morphed into the woman she believed her Nick most desired: the perfect “cool girl,” as sexed-up and playfully easy-going as she is on top of things. Then, after moving to Nick’s recession-ravaged hometown in Missouri, leveraging her trust fund in the process, Amy took on new facets.
Pike recalls being drawn instantly towards the book’s inky, x-ray view of the underside of marital bliss. “I was quite intrigued by this idea of marriage as con game – the idea that we’re all selling a version of ourselves,” she muses. “And Amy is such a remarkable creation. It fascinated me that she is always performing, perhaps in part because it points back to the life of an actor. The challenge of being Amy is that nothing that happens with her is quite what it seems on the surface.”
That was both the challenge and the allure. She continues: “In playing Amy, I get to explore so many different aspects of the feminine brain. There are scenes where Amy is playing two different things to two different people in the same room – and the audience has to see both.”
Playing Amy took Pike through physical and emotional extremes. “The challenge was peeling back one layer after another of the onion that is this marriage,” she comments. But she says along with the challenges came rich rewards, especially working with Fincher. “David is so detailed in the most psychologically observant ways . . . and because he wants to explore everything, he leaves you feeling that no stone was left unturned,” she says.
Fincher has reciprocal respect for Pike. “Amy is a very, very tricky part,” he says. “The audience should have no idea what she’s going to do next. I’d seen Rosamund’s work and I was struck by the fact that I couldn’t get a read on her. There was something about the way she catches the light in a different way… you don’t really have a grasp of who she is. The most important aspect of Amy for me was that I needed the feeling of an only child. I needed an orchid. I needed a hothouse flower. Rosamund had that thing and she’s also impeccably craft oriented, luminously beautiful and incredibly watchable. I know there were people saying, this is a risk. But when I sat with her I saw that this was somebody who was going to give you everything.”
“Gone Girl” is now showing in cinemas nationwide from 20th Century Fox distributed by Warner Bros.
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